Excellent advice, Teymour. I’ll add this food for thought if I may… ANYONE CAN WRITE. Few people write well. Even fewer can tell a good story. IF YOU CAN TELL A GOOD STORY, and you’ve been working on a book but your writing skills are a little rusty, you need an editor who actually cares about your success, who cares about making your book the very best it’s capable of being. That usually takes an editor who instinctively goes above and beyond what’s expected. Every single author, every single story is unique. Each deserves the undivided attention of the editor.… Read more »
Hm, I’m a longtime freelance book editor and have a few thoughts to share. I think one page of editing is not enough to gauge much, and that you should be able to get a sample edit of 10 (double-spaced 12-point) pages from a potential editor. You’ll have a better idea after a complete chapter has been edited, and you should have a contract that allows either you or the editor to opt out cleanly at various stages. Another thought: sometimes authors don’t know what level of edit they need, and a good editor can assess this based on reading a few pages of your ms. and spot-checking the remainder. Also: a lot of book editors (like me) work primarily for publishers rather than for individuals. It’s just easier. I know I’ll get paid, I don’t need to educate publisher clients about the process itself, and they send me regular work, so we get to know each other’s needs and preferences. Lastly, I wouldn’t really expect a newcomer editor to be able to handle a booklength manuscript very well (I was that person once — eek). If it’s someone really new, they should have had good training somewhere imo. Book editing is a technical undertaking. It’s also about knowing what to leave alone. Inexperienced people often tamper with authors’ work unnecessarily. Anyhow, I’d be happy to answer any questions.
Thank you for this most timely article. I’m a newbie writer that is writing a history book on a small WWII town. It is a little unique in that it will have many newspaper clippings and historic construction photos. The narrative will only be there as a clarification to these items. I want to be sure that this narrative is smooth flowing and comprehensive. I’m not certain to what degree editing will be involved. You article certainly helped bring to light things I should consider.
Use the media press kit on an editor’s or publisher’s website. A media press kit is a prepackaged group of marketing materials that provides commonly-sought information to reporters, other writers, and members of the general public. Look on a publisher or editor’s website for a tab that says “media” or “press” and review their press kit for information on how to contact an editor.
The other thing I really like is your breakdown of the types of editing available. That’s what I find needs to be explained the most. Especially in business editing, you get scenarios when someone thinks a document needs “a proofread”, when it really needs a copy edit or even a heavy line edit, and you have to justify the cost or the time it takes to complete it.
THE BOOK BUTCHERS are insanely talented book editors with decades of experience trimming meat from fat, separating skin from flesh, exact anatomical knowledge of fiction and non-fiction writing, and the right tools and techniques for each precision cut. We help fiction and non-fiction authors perfect their manuscript and publish books that readers will love.
Fiction writers may want to join a writers group or workshop to benefit from the help of others who have experience with your genre and can help you develop your craft, challenge flaws in your narrative or character development, and help you improve the overall quality of your story. A flawed plot or character is much harder to revise after you finish writing your book, so it’s important to catch such problematic aspects of your book early on.
When you’ve found someone who seems like a decent candidate so far, make first contact. (The contact form on the website is fine as a first step.) Introduce yourself and state what you are looking for (a developmental critique, copyediting, etc.). Give a very brief description of your project, including its genre and approximate length. Give an idea of your planned next step and any deadlines (even if only approximate ones). For example, have you already signed a contract with a subsidy press for publication next fall? Are you planning to submit the manuscript to publishers and/or literary agents after editing?
Brooke Warner is publisher of She Writes Press and SparkPress, president of Warner Coaching Inc., and author of Green-light Your Book, What’s Your Book? and How to Sell Your Memoir. Brooke’s expertise is in traditional and new publishing. She is the former Executive Editor of Seal Press and currently sits on the boards of the Independent Book Publishers Association, the Bay Area Book Festival, and the National Association of Memoir Writers. She blogs actively on Huffington Post Books and SheWrites.com.
I like the idea of embedding “fine print” into the initial email. I also think it’s a good idea for an author to check references; the questions Val suggested are great. Third, as another commenter said, an editor can give the author a general assessment of their book, which will help the author decide if that particular editor will be a good fit or not.
BookBaby’s Book Editing Services offer three different options for authors: Line Editing, Copy Editing, and Proofreading. These different levels of editing services cover everything from basic grammar and misspelling corrections to review of the story narrative, story development, characterization, and sentence structure. We offer options to ensure that each author is satisfied with their editing service.
As a freelance editor, I would like to express my strong disagreement with the idea that a freelance editor must work as an employee of a publisher for three years to be any good. In my field, spirituality, many publishers have gone to having most editorial tasks beyond acquisitions performed by freelancers, so the in-house positions being held out here as a prerequisite for freelancing simply don’t exist; many editors must cut our teeth as freelancers. It also occurs to me that self-published authors usually bristle at the idea that they are not “real” authors unless their work is accepted by a commercial publishing house. Is it fair to apply this standard to the people they propose to employ as editors?
Every author needs it, yet self-editing a book is nearly impossible. Even bestselling authors would never dream of attempting it. Hiring an experienced book editor is often the best investment you can make for your book, and your writing career. Book editors do more than make sure your I’s are dotted and T’s are crossed. They ensure your writing is fluid and poignant. Trusting BookBaby with your manuscript might seem like a big commitment, but so is making a book. The best way to make sure your writing is perfectly polished before it’s in print is to invest in editing services from a brand you can trust.
Amazing post, Dave, and definitely an important topic. My first book I used one of the larger “editorial agencies” you mentioned. The quality wasn’t bad but there was no direct contact with the editor. Just ship it to them and they ship it back. I’ve tried out several editors now and found a very good one who did a great job on my list book. Once you find a good editor, stick with him/her and build a relationship if you can. Thanks for the list provided and this editors test is a great addition.
I was recently directed to your excellent article from almost a year ago by a colleague at SouthWest Writers in Albuquerque, New Mexico. As a freelance literary editor of memoir, poetry, and novels, I offer authors guidance and support similar what you describe, but of course I cannot handle editing every genre. I was gratified to know that I’m doing the right thing by sticking to my specialties. By coincidence, someone who reached out to me last week on LinkedIn was looking for a children’s book editor and one of your readers in this conversation recommended one. That reminds me… Read more »
It’s time to choose your children’s book editor! Go with your gut here. You have already learned how to find a qualified children’s book editor, and narrowed down your choices using the tips in this article. The last step is to choose the editor that seems to have the best grasp of your personal needs. At this point, feel confident in making choosing your editor. You’re ready to move onto the next step of realizing your dreams and finishing your children’s book.
Book editing is both subjective and not. There are rules, and yet the rules of writing are often intentionally broken. You want to find someone who knows the rules, who will fix the writing, and who’s flexible enough to know that voice is sacrosanct, and that editing out colloquialisms, slang, and humor is a no-no (unless it’s overdone or not working, that is).
BEA was formed in 1998 to help writers find professional book editors and proofreaders with experience working for traditional publishing houses. It continues to be a matchmaking service for writers and editors and now includes editors who can assist with the self-publishing process. The network includes award-winning editors and ghostwriters who have worked on best-sellers. Writers work directly with the editors they select. Rates vary by editor. Use the submission form for direct contact and a price quote.
If neither Sally nor myself feels quite right for you, then I suggest you browse the bookstore or even the public library for books published in the last few years that remind you in some way of yours. Check the Acknowledgments page to see if they thank an editor. If not, see if there is any information to contact the author and ask if they used a freelance editor and if so, would they recommend them.
Stephen, I’m not sure what you mean by “time wasted matching a style guide.” Any professional editor of trade books knows the Chicago Manual of Style well and as a matter of course automatically makes changes that are in line with it. What you said is akin to “They waste time correcting spelling errors.” They’re not wasting any time; they’re doing their job and it’s a basic and automatic part of that job.
ROUND ONE: We’ll start with a manuscript review – a quick read-through to identify any major problems, boring parts that need trimming, conclusions that can be made stronger, suggestions for rewrites, plot improvements or problems, story arc and structural analysis. We’ll ask lots of questions and provide tips and recommendations. Your editor will be like a personal writing coach. We’ll send an editorial report on the big issues that can be improved. After you’ve rewritten to your satisfaction, we’ll move on to part two.
It can take some time to find the right editor, so you may want to start asking around even before you have a text that is ready to send. If you know a fellow author who can recommend someone, that’s wonderful, but if not, it’s fine to poke around the websites of some editors and see who appeals to you (and seems to work within your genre). Then contact them by whatever method they request (often a contact form on their site).