The result will be a very clean and much improved manuscript, but with lots of comments and suggestions, which will probably require some rewriting and extra work on your part. Getting back a heavily edited manuscript like this can be challenging, but know that it will drastically improve your writing skills and help you identify your weaknesses. During the revision process, it’s possible to create new consistency issues, which is why we recommend a final proofread or at least some beta-readers to help finalize your manuscript.
BEA was formed in 1998 to help writers find professional book editors and proofreaders with experience working for traditional publishing houses. It continues to be a matchmaking service for writers and editors and now includes editors who can assist with the self-publishing process. The network includes award-winning editors and ghostwriters who have worked on best-sellers. Writers work directly with the editors they select. Rates vary by editor. Use the submission form for direct contact and a price quote.
A good editor is worth their weight in gold. Myself, I’m a frugal person, so I do my own ferocious self editing. I once belonged to a writers group, and the material the members submitted for critique made me cringe. Their story ideas were good, but were full of unnecessary adjectives, numerous misspelled words, run on sentences, and they had their characters grunting, snorting, huffing and puffing. I would spend time editing and when I gave back the material, the people were offended. I figured these people were looking for praise and not the truth.
After researching a lot of different designers, I went with Ebook Launch for my debut novel because there wasn't a single cover in their portfolio I didn't like. I didn't know exactly what I wanted, but I knew what I liked and what I didn't like, and they took my mishmash of half-formed ideas and turned it into a beautiful, eye-catching, genre-appropriate design! Not only that, but they were speedy, responsive, and accessible. A real pleasure to work with. I will definitely be coming back to them for the rest of the covers in the series.
A place you can post your job and hire freelance editors. With nearly 60,000 editors on the site, however, it can be a daunting project to find the right editor. To narrow down the candidates, you could make a detailed project description with required skills, language competency, and portfolio requirements. This should help eliminate unqualified editors. You can also include a random requirement like “Respond with ‘Hey, Jedi!’” in to find those detail-oriented editors who actually read your entire post and follow directions.
I held the role of blogger and web content writer for a multimedia entertainment company before transitioning to freelance work. I have assisted many clients on projects ranging from product descriptions, to blog articles, to content editing. My areas of expertise are in science, fashion, travel, and yoga. I have also edited over 50 eBooks and can provide professional book descriptions.
Every author must decide what is important to him or her in an editor, but in these days of electronic communication, honestly I do not think it is important to seek a local editor unless your book is specifically related to something of local interest. Even in that case, you may benefit from the perspective of someone who does not have all the local knowledge it can be easy to presume, so that you can prepare your book for a wider audience.
I have a question… how do software programmes rate in comparison to using an editing service. I ask simply from the point of view as someone with a limited income, who is thinking outside the box for solutions to produce the best polished product I can with the means I have.Will software do a large percentage of the ‘work’ that will then allow an author to use a proof reader or line editor to just do a final check?
Thanks Derek and Jane! To add one more thought, I think where we all agree is that the writer can’t get up from the operating table (this analogy is getting gruesome…), thank the doctor and walk away. The perfect recipe would include: an incisive (pun intended) editor, and a resilient, driven writer. By the way, Derek, I’m thrilled to have this conversation, as I’ve enjoyed your writing for quite some time (recently I loved your piece on Tomorrowland). Cheers, Teymour Shahabi For 3 weird self-editing tips, check out my new episode: https://www.youtube.com/watch?v=3mmLEuH9x28
Absolutely, Tom. Encrusted oldie, I like that one. Thanks for your thoughtful and positive comment. I think the heavier the editing, the more important confidence with a genre or niche is. For a developmental edit, I’d want someone with specialty experience in my genre, whereas with a proofread, I’d be comfortable with pretty much any competent editor.
This is great advice, Val! Thank you for sharing. I’m a freelance editor as well. I agree with the advice about giving a newbie a shot because I was a newbie freelancer four years ago, with newbie rates because of being a newbie. But I had already been editing for five years in-house and at professional competence level, so my early clients got a bit of a bargain from me!
Val, thank you, lots of good stuff here, and it’s great to suggest giving a credible newbie a try. As an encrusted oldie, I can say that it’s sensible to deal with a niche/specialist editor, but sometimes editors have broad experience in both fiction and nonfiction writing (I’ve written and edited a good deal of both), and thus can edit with confidence across styles and genres. Thanks for a sound, thoughtful post.
Brooke Warner is publisher of She Writes Press and SparkPress, president of Warner Coaching Inc., and author of Green-light Your Book, What’s Your Book? and How to Sell Your Memoir. Brooke’s expertise is in traditional and new publishing. She is the former Executive Editor of Seal Press and currently sits on the boards of the Independent Book Publishers Association, the Bay Area Book Festival, and the National Association of Memoir Writers. She blogs actively on Huffington Post Books and SheWrites.com.
Second, consider getting a critique before you decide whether you need to pay for a full copyedit. I (and probably many other editors) will read your manuscript and write a several-page critique for much less than the cost of a line-by-line edit, and if your mechanical skills are reasonably good, this may be sufficient to help you get it into adequate shape for your publication plans.
It’s best, if you decide to hire a freelancer, to figure out what the going rate is for the service you need, and expect to pay that amount. Otherwise it may turn out to be a waste of money, because the quality of the service will suffer. Sometimes there are payment plans to help with high costs! But it’s really a good investment to pay industry standard for editorial services; I agree with Shayla.
Developmental editing (may also be called structural or content) – looks at the book’s big picture and overall structure in nonfiction or plot and characters in fiction. Developmental editors may assess a book idea, outline, or early draft to tell authors what works and what could be better. The big picture questions need to be answered first before an editor ensures your words are polished and used correctly.
I was recently directed to your excellent article from almost a year ago by a colleague at SouthWest Writers in Albuquerque, New Mexico. As a freelance literary editor of memoir, poetry, and novels, I offer authors guidance and support similar what you describe, but of course I cannot handle editing every genre. I was gratified to know that I’m doing the right thing by sticking to my specialties. By coincidence, someone who reached out to me last week on LinkedIn was looking for a children’s book editor and one of your readers in this conversation recommended one. That reminds me… Read more »
Next, I check their work history to see what kind of projects they have been working on. For example, if I’m hiring an editor and I see that 8 out of their last 10 projects had nothing to do with editing, I will probably pass because it means they either don’t enjoy editing work or they aren’t able to find enough of it on Upwork, which should not be a problem for a highly skilled editor.
In return for the sacrifices you must make in order to self-publish, you will gain total control over the project. In addition, any profits from sales of the book will be yours (not just a royalty percentage as with either a traditional publisher or a vanity press), and in some cases it may be the only way of getting your book into the hands of readers. However, there is no getting around the requirement to get the tasks done one way or another.
First, decide whether your time or your money is worth more to you right now. You can greatly reduce the amount of money your project will cost by investing more time, and vice versa. If time is no object, you may want to spend some hours in the library reading style manuals and going through your manuscript with a fine-toothed comb so that when you do hire an editor, (s)he will be able to zip through it quickly. If you end up deciding that’s more effort than you want to invest, then you will at least find the monetary cost of hiring someone to do it for you a less bitter pill to swallow.
It’s time to choose your children’s book editor! Go with your gut here. You have already learned how to find a qualified children’s book editor, and narrowed down your choices using the tips in this article. The last step is to choose the editor that seems to have the best grasp of your personal needs. At this point, feel confident in making choosing your editor. You’re ready to move onto the next step of realizing your dreams and finishing your children’s book.
Join an organization, such as the National Association of Independent Editors and Writers (NAIEW) or ACES: The Society for Editing, to connect with others in the field. Publishing Professionals Network (PPN) lists jobs as well as other membership organizations. You can also subscribe to Editors Only newsletter to receive a directory of professional associations for editors, as well as current job openings.
Although many writers talk about having friends, family, and old college professors help them edit their work, that’s really not the ideal way to go about the editing process for a book or short story that you plan to publish. A professional editor with years of experience and training in your market or genre can provide valuable feedback and advice that goes far beyond simply correcting spelling errors, typos, grammatical errors and usage errors.
In Frank’s situation, I would lean toward the first option of getting a written “developmental critique” or “manuscript assessment.” While a sample edit would be helpful in determining whether this person would eventually be a good choice as an editor, I believe the critique on everything written so far would, for most authors, be the most useful for making course corrections before completing the manuscript.
Reach out through an editor’s professional website. Many professional editors offer their services on a freelance basis or use their website to advertise their press’s opportunities. Perform a simple search online using the editor’s name and look for a professional or personal webpage. There will be information about contacting an editor on their website.
Working with a professional is always the best choice, so if possible, then save up to work with an editor. But of course, some writers can't afford this, in which case there are some other options. You can barter with other writers in the same genre, editing each other's work, or providing other services you might be more skilled at e.g. Marketing tasks.
Good article. I especially like to see mention of the different types of editing. I find that a lot of new writers don’t know this; they get a copy edit and think everything is nicely edited only to discover once they’ve published that people are saying the book needs a good edit. That’s because it needed developmental and line editing as well. I often find that indie books could do with a line edit. I think it’s the most neglected area of editing.
Karen, when you decide to hire an editor please make sure you’ve done all you could to make your book the best it can be, don’t take shortcuts. Select your editor with care. I suggest you make arrangements to call several editors, interviewing each one carefully. Have your questions written out, don’t wing it or you’ll forget something crucial. After all, you’ll want to click with your future editor, he or she MUST be a good fit. I believe you cannot separate editing from writing. They go hand-in-hand. That means you have to form a writing team (there is no I in team). Frequent communication is a must. Wishing you all the best… Dennis