I'd suggest working through each change so you can learn for next time, rather than just clicking Accept All on the Track Changes version. This will take time, but it's well worth it. I usually accept 80-90% of my editor's changes and the manuscript is improved considerably by the experience. After the line edits are updated, I send the manuscript to a proofreader for the final check before publication.
Technology may have changed the way books are produced and distributed, but ultimately the connection between reader and writer is one of the most enduringly personal in history. You need to pay close attention to an editor’s manner and decide if the relationship is likely to be pleasant, professional, and productive. Is the editor overly curt or slow to respond to your emails? If the comments in the sample edit are too harsh, how will you make it through hundreds of pages of red-inked barbs? Beyond the financial expense, editing can be an intensely emotional journey; make sure that your editor will be a good travel companion.
Editors are an integral part of content generation at any level. A quality editor is responsible for the final, polished look and feel of any written content produced by a client. Freelance editors provide a flexible and talent-driven way to manage multiple products in a professional way. They can be used for a wide variety of projects, from editing for syntax and grammar on regular blog posts to providing structure, pacing, and style feedback for nearly finished novels.
You also said it’s not fair for self-publishing authors to apply those standards to editors when they don’t work with publishers themselves. It’s one thing for authors to have the right to publish their work and make it available for readers to judge its merits, and quite another for someone to ask those authors to invest in them for their expertise.
You might hire someone for a proofread, but let the editor know that you’re open to hearing from him or her if the work needs a heavier edit. The editor would need to present you with evidence in the form of sample pages that showcase what’s needed—and your job is to make sure you agree. You want to feel like an editor’s edits are polishing your work and making it shine. If you feel dread or anger, or even if you feel misunderstood, it’s likely not a good fit. At the very least you want to share your reactions with the editor so they can respond or change course.
We may be talking about different services. I’m referring to a full read that usually creates a 5-10 page edit letter–no in-line editing. Or, perhaps we’re just working in different corners of the market. I’m around those who are freelance editing pre-query for writers hoping to traditionally publish their genre fiction, not the kind of rigorous editing a self publishing author would need, which should rightfully be much more expensive! It’s true that most people doing freelance editing at the lower rate/rigor aren’t doing it full time. It’s an optional step for those traditionally publishing, and the prices reflect maintaining access for those writers, I believe.
Turn the title page over to find the copyright page. Turn the title page over to find the copyright page. It is usually printed on the back of the title page. The copyright page almost always uses a smaller font than the rest of the book, and is often flush with the bottom margin of the page, instead of the top. It contains publisher information, citation information, the date, locations, and information used to catalogue a text.[2]

Hi Jay. Ironically, most editors lament our meagre earnings in comparison to the skills, qualifications, ongoing professional development and expertise required to do our job well. Most of us earn a lot less than tradies! We also tend to hesitate when providing a quote, knocking the price down as we fear the prospective client will think it’s too expensive. I advise writers to start putting money aside well before they are ready to hire an editor, and to hire the best editor they can afford. If cashflow is a problem, I allow clients to pay by instalment rather than in lump sums. I also give discounts to students and NFPs. Try to hire the best editor you can afford – hiring a cheap, inexperienced editor whose first language might not even be English is basically money down the drain. There are plenty of editors out there, so make sure you select carefully. You want someone who will make your writing shine, and help you to become a better writer – which should pay dividends in the long run.
Developmental editing (may also be called structural or content) – looks at the book’s big picture and overall structure in nonfiction or plot and characters in fiction. Developmental editors may assess a book idea, outline, or early draft to tell authors what works and what could be better. The big picture questions need to be answered first before an editor ensures your words are polished and used correctly.

I cannot speak for all editors, of course, but I know I and many of us would be open to editing just part of your book at first, say, a particular chapter or two that you sense needs a lot of work. That is often enough to show you mechanical errors that you tend to make repeatedly. You can then go through the entire manuscript yourself looking for as many of the same kind of errors as possible. You will sharpen your basic writing skills in the process, and it will pay off in all future projects.
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