THE BOOK BUTCHERS are insanely talented book editors with decades of experience trimming meat from fat, separating skin from flesh, exact anatomical knowledge of fiction and non-fiction writing, and the right tools and techniques for each precision cut. We help fiction and non-fiction authors perfect their manuscript and publish books that readers will love.
I am late to this discussion. But I would like to speak for all those authors starting out…editing, although a necessary evil, is very expensive. Let’s face it, writing a novel is not a paid venture. If you sell your book to traditional publisher, or self publish, you will rarely make this expense up. To spend $5.0-$10.0 on your novel is just out of reach for most. I realize that editors “work hard” and “put a lot of time” into their work. But there seems a disconnect in the market place. Writers are writing for free, and shelling out all the money for little return. And yet it seems the only ones profiting is the “market place” on services. It is more an “industry” for publishing, than a means for a writer to get published, or make a living. I wish there was a middle ground for writers: an editing service that prepares your novel for submission to agents and editors at publishers, but doesn’t cost your first child! There is a need, and is truly an untapped market. But what you have are editors, at all levels, “demanding” the market price, whether they are experienced, starting out, or good. There seems to be no heirarchy with an equal level of professionalism for new writers vs experienced who might have a bigger budget for editing. I liken it to buying cars. You can buy a car at $15.0 and still get a good, safe car that looks nice and is drivable.. Or, you can buy a car at $50.0 if you want more prestige, quality service, personal attention, more features. Both are acceptable and worthy, just at different levels of affordability. Although editors are arguably at different prices, as the comments have indicated, the less you pay is for limited services, not a varying level of editing. It’s like getting a car with three wheels. But new writers do need a full service of editing…at an affordable price. I am not sure how to get there, or the value to editors, but there does seem to be a gap that needs to be filled- reliable editors, who can help bring a novel to a professional level for submission, and it be worth their time in doing so, at a rate that is more manageable for a writer’s pocketbook.
From your comment, you may be in search of a manuscript critique, where you pay a professional to essentially conduct a beta read with the added benefit of their experience and knowledge about the craft. Then they’ll give you a few pages’ worth of considerations. When I don’t have the time for such critiques (and I only critique nonfiction), I refer my clients to andilit.com.
Call or write to the publishing company the editor works for to see if you can talk to them. You may be able to reach an editor directly by asking to speak with them at work. Send a formal letter or place a friendly call asking to speak with the editor. Ensure that you’re able to articulate why you want to speak with them ahead of time by practicing the conversation.
Hey Elizabeth – I get what you’re coming from. I try to work in some flexibility with clients due to budget. Like you said, many people are charging the market rate regardless of experience. However, most good editors will work with your budget in one way or another, be it payment plans or reduced rates. I find it’s easier for me to retain clients and provide better services if the costs go down over time. Some people choose to discount the first project. It’s all very fluid. But yes, cost can be a deterrent for some folks. Self editing can drive these costs down, so taking the time to go through your work first is very helpful for the editor and for your own pocketbook..
Thanks for this article! I have been freelance editing for several years now, and I have never been able to find something that gives such a succinct and clear summary of the different types of editing services and going rates. I got my start on UpWork, and most of my clients have expressed how difficult it is to find good editors and how thankful they were for my work.
Our editing services are for authors who want premium book editing for an affordable price. We’ve negotiated special rates with an exclusive network of editors from around the globe. These editors work with traditionally published authors in every genre, including many on the New York Times Best Sellers list. Now, self-published authors have the opportunity to work directly with these topflight book editors.
Wonderful article! The difference between the types of editors can’t be emphasized enough, escpecially when it comes to price. I’ve seen too many new authors seek out a copywriter when they need a content editor. (Most bad reviews that say “they really need an editor!” reflect that.) This is a relationship and you need to be able to work with the person. If you disagree with all of their suggestions, or they can’t see your perspective, then the edit is worthless. Writers also need to be aware of the difference between an edit that’s going to help the story and… Read more »
All points well taken, Derek. (To be fair, Teymour does address the different levels of editing.) I’d add that, as far as the surgeon analogy, even the best editor can’t fix a mediocre story. Some stories are dead on arrival and no amount of resuscitation is going to help. Also, an editor might be able to fix some things, but the “patient” also has a lot of work to do after the operation is done.
For my book, Career Change, I gave an early copy to people working in my department in the day job who I knew were dissatisfied with what they were doing. They came back with questions and suggestions for what to include as additional material. For The Healthy Writer, we asked medical doctors to read it as a sense check (even though my co-writer, Euan Lawson, is a doctor!)
I recently contacted Ebook Launch on the advice of a fellow author, and I am extremely pleased with the results. Dane was professional and very prompt, always keeping in touch with me as the process unfolded. I had both my ebook and print versions of the cover within a week of paying for them. They were professionally done, rivaling anything I have seen from the top publishing houses. Excellent work!
I’d add that for UK writers, the Society for Editors and Proofreaders (SfEP) Directory is the best place to search for editorial professionals. Each editor has been vetted for professional competence through the Society (you have to be assessed to become a Professional Member or Advanced Professional Member), so it’s a pretty trustworthy source: http://www.sfep.org.uk/directory/directory.asp
There are a lot of editors out there with no actual editing experience working with a publishing company, newspaper, journal, or other business that requires a high level of expertise and provides training for editors. Without working in such a position, it’s very difficult to obtain and master the skills required to become a great book editor. It’s not impossible, but it is unlikely.
Good article. I especially like to see mention of the different types of editing. I find that a lot of new writers don’t know this; they get a copy edit and think everything is nicely edited only to discover once they’ve published that people are saying the book needs a good edit. That’s because it needed developmental and line editing as well. I often find that indie books could do with a line edit. I think it’s the most neglected area of editing.
It’s time to choose your children’s book editor! Go with your gut here. You have already learned how to find a qualified children’s book editor, and narrowed down your choices using the tips in this article. The last step is to choose the editor that seems to have the best grasp of your personal needs. At this point, feel confident in making choosing your editor. You’re ready to move onto the next step of realizing your dreams and finishing your children’s book.
I have taught college preparatory English, writing, and grammar, for the last 18 years. My experience as a teacher makes me uniquely qualified to edit works for fluidity of thought and content, accuracy of grammar, and clarity. As a teacher, I have become a master communicator. Paying attention to detail is a requirement in the English field and something I have mastered.
Grants are available to nonprofit organizations, for-profit businesses that qualify for government grants, and individuals who qualify for foundation or government grants. Hiring a good grant writer can help you gain funding in your chosen field. According to the American Grant Writers’ Association, grant writers can help you research potential grant opportunities; write grant proposals, create budgets, and build budget narratives; review written materials before you submit; prepare a business plan; analyze your organization for grant competitive qualities; prepare research grants; help with 501(c)(3) applications for nonprofits; and more. Investing in the right grant writer could result in a financial win for your organization. Generally no licenses or certificates are required to be a good grant writer, but you may want to find a grant writer who has been certified (not just received a certificate of completion) by a reputable organization such as the Grant Professionals Certification Institute. Qualities to look for in a good grant writer include:
The other thing I really like is your breakdown of the types of editing available. That’s what I find needs to be explained the most. Especially in business editing, you get scenarios when someone thinks a document needs “a proofread”, when it really needs a copy edit or even a heavy line edit, and you have to justify the cost or the time it takes to complete it.
Hi Sean, as an editor I run permissions for authors. It’s a case of contacting each right-owner (author or publisher) where the quotes are not deemed public domain, and provide them with context for approval. You can do this yourself or I’d be happy to quote for the work, if you’d like to contact me directly? My email address is email@example.com.
Even if a book is well-written, and even if it’s been edited professionally, success isn’t guaranteed. Publishing success is partly about branding and design, partly about getting in front of readers so they can start reading, and mainly about whether you satisfy their expectations and over-deliver on genre conventions. We want to do more than simply editing or proofreading your book. We want to help you make sure readers love it. But the sad truth is, most submissions we receive are nowhere near ready to publish, and are suffering from common but easily avoidable first-time author mistakes. How does YOUR book measure up?
The job board is NOT a big reason to join the Den, especially if you’re a new writer. It’s a higher-end board that doesn’t post any low-priced gigs, and is a good resource for mid-career writers. But in general, the board is a real sidelight to the point of joining the Den, which is to access 300 hours of training+, 24/7 forums for support, live events where you can ask questions of experts, and more.
Proofreading is the vital last step of the book editing process. After your manuscript has received its professional edit, your book proofreader will perform a final review to fix any remaining mechanical and grammar issues before your book is printed and published. Proofreading is not a structural edit and instead focuses on eliminating minor mistakes and inconsistencies.
EFA has an excellent reputation in the field, and their high annual membership fee keeps out the riff-raff and newbies merely flirting with the profession. For writers, EFA also has a very useful rates survey for the different kinds of editing, helpful for anyone shopping around: (the-efa.org/res/rates.php) For those keen to find a fully vetted editor, try Editcetera (editcetera.com). This group not only tests every applicant, they also supervise for a full year. Of course, their rates are higher. Another highly regarded editorial organization is Bay Area Editors Forum (editorsforum.org), with a searchable database of editors. I’m a member there.… Read more »
While you may (or may not) be correct in your assumptions, your tone in general is rude, and disrespectful. If you are indeed a true editor of distinct taste and experience, you should not feel the need to bad mouth others for their thoughts and opinions. Show a little decency, and realize that you are indeed speaking to a human being, who probably has thoughts and feelings, and is in my opinion, a much more intelligent human for having the intellect to not attack someone verbally for their thoughts. No one needs you to be rude, or asked you for that matter.
An extensive critique of my first novel led to major changes in the format. I was very fortunate to have an experienced novel writer to give a detailed analysis, with corrections. I did not fully appreciate, at the time how valuable this process was, but do now. You need to acknowledge that there are likely to be inconsistencies leading up to the final manuscript and be prepared to make drastic changes. An editor is attuned to picking up on these, where you have accepted the script , even after numerous re-writes!