As a book editor (PhD in Literature) who’s now writing fiction, I thought I’d add my comments, which are these: 1. You need an editor who is going to fix the story; the writing doesn’t matter all that much, the story dictates whether or not readers will be satisfied and ultimately how successful the book is going to be. For that reason, sample edits aren’t all that helpful – they tell you how editors can improve the line-by-line. Does the editor know how to plot a novel? Satisfy reader expectations, which differ for each genre? Read “StoryGrid” to better understand… Read more »
ROUND TWO: an in-depth, comprehensive, line-edit that includes rewriting sentences, improving word choice, organization, plotting and pacing. We’ll make the dialogue stronger and more believable, the action more tense and nail-biting, and the emotional peaks less melodramatic and cheesy. For non-fiction, we’ll strengthen your argument and make the writing more engaging.
Thanks Derek and Jane! To add one more thought, I think where we all agree is that the writer can’t get up from the operating table (this analogy is getting gruesome…), thank the doctor and walk away. The perfect recipe would include: an incisive (pun intended) editor, and a resilient, driven writer. By the way, Derek, I’m thrilled to have this conversation, as I’ve enjoyed your writing for quite some time (recently I loved your piece on Tomorrowland). Cheers, Teymour Shahabi For 3 weird self-editing tips, check out my new episode: https://www.youtube.com/watch?v=3mmLEuH9x28
2. Copyeditors aren’t the last line of defense when it comes to a book’s mistakes. Formatting, which is done after an editor has done their job, can lead to unintended errors being introduced into the text. That’s why it’s important to hire proofreaders to comb through edited text *after* the book has been formatted for print or digital. Proofreaders are your last line of defense—but they’re human too.