An edit requires a substantial investment, many times greater than the cost of a book. Editors who spent years as assistants, learning the craft of editing and acquiring the knowledge of how to guide authors, are a safer choice. Their track record speaks for itself; editors at this level have bestsellers and award winners in both the traditional and the self-publishing space.
Hi Jay. Ironically, most editors lament our meagre earnings in comparison to the skills, qualifications, ongoing professional development and expertise required to do our job well. Most of us earn a lot less than tradies! We also tend to hesitate when providing a quote, knocking the price down as we fear the prospective client will think it’s too expensive. I advise writers to start putting money aside well before they are ready to hire an editor, and to hire the best editor they can afford. If cashflow is a problem, I allow clients to pay by instalment rather than in lump sums. I also give discounts to students and NFPs. Try to hire the best editor you can afford – hiring a cheap, inexperienced editor whose first language might not even be English is basically money down the drain. There are plenty of editors out there, so make sure you select carefully. You want someone who will make your writing shine, and help you to become a better writer – which should pay dividends in the long run.
And a word of warning. The Editorial Freelancers Association, mentioned in this article as a potential source for finding an editor, does not vet its applicants. Anyone, including “self-proclaimed” editors, can join. As stated in the membership guidelines: “Any full- or part-time freelancer may join EFA.” It is basically a listing of freelancers offering services online, and for a fee, members can have access to a job board. While some legitimate editors list themselves on the EFA, so do a lot of other people. Membership is by no means evidence of professional qualifications.
Even if a book is well-written, and even if it’s been edited professionally, success isn’t guaranteed. Publishing success is partly about branding and design, partly about getting in front of readers so they can start reading, and mainly about whether you satisfy their expectations and over-deliver on genre conventions. We want to do more than simply editing or proofreading your book. We want to help you make sure readers love it. But the sad truth is, most submissions we receive are nowhere near ready to publish, and are suffering from common but easily avoidable first-time author mistakes. How does YOUR book measure up?
Start with a google search and see what comes up. Click on a handful of options and see if you can find an editor who is specialized or who has edited books similar to your own. An easy way to do this is to open just a few of your favorites in tabs and check out each editors’ website and about me section. Take a look at their testimonials. See if any stand out to you.
Are you writing a picture book? A chapter book or easy reader? Is your book for middle grade readers or young adults? You may not know for sure! What age groups will be reading your book? How many words should your book have to be age appropriate? What themes or topics are typically relevant? These are some of the more generalized questions your editor can answer for you.
Most editors in my genre charge from 002 to 007 per word. That’s for developmental and FLE, (Final line edit) – three rounds in all. The 10,000 fee you mention here would put off anybody from ever hiring an editor. I know few writers who could pay that, which is why Amazon is flooded with poorly written and badly edited books. I would encourage writers to contact other authors in their genre for tips on editors and to cultivate good beta readers.
As a freelance editor, I would like to express my strong disagreement with the idea that a freelance editor must work as an employee of a publisher for three years to be any good. In my field, spirituality, many publishers have gone to having most editorial tasks beyond acquisitions performed by freelancers, so the in-house positions being held out here as a prerequisite for freelancing simply don’t exist; many editors must cut our teeth as freelancers. It also occurs to me that self-published authors usually bristle at the idea that they are not “real” authors unless their work is accepted by a commercial publishing house. Is it fair to apply this standard to the people they propose to employ as editors?
It’s difficult to answer this question without first addressing what an editor actually does. Editors can review the content of your writing (characterization, pacing, plot, etc.), which is often referred to as content editing; the form of your writing (the grammar, the punctuation, etc.), which is often referred to as copyediting; or both. (By the way, proofreading is indispensable, but it’s the final step of checking for typos and other glitches once the book is ready for print—any writer who thinks that proofreading is editing is in grave danger of getting ripped off.)
“I am the self-published author of four novels: both ebooks and paperback. I have used the formatting and book cover design services of the amazing team at Ebook Launch for two of these titles. I’ve found all at Ebook Launch to be patient, incredibly helpful, super quick in delivering, but above all, very professional – and reasonably priced to boot! I wouldn’t hesitate to recommend Ebook Launch for your next project; these are, without doubt, the go-to-guys for the self-published.”
Whether you’re just starting out, or you’ve been writing for some time, it’s no secret that the most successful writers specialize in a niche. Why? Focusing on a niche helps you become an expert in that area, write better content, ask better questions, and know where to find sources and research. The best editors typically specialize in one or a few niches for similar reasons.
An edit is a business transaction. This means that money will exchange hands. Therefore, you need to approach the edit as both a writer and a businessperson (an increasingly common role in the age of self-publishing). Compare the deals you’re offered. Editors with brand-name backgrounds might offer less user-friendly terms (such as hourly rates, which are less predictable than fixed contracts), while less established professionals might offer discounts and extras (such as book formatting and publishing consulting). Don’t be afraid to ask. Hiring an editor is a professional investment. A sample edit will allow you to estimate the value of the service, but never forget about the price.
A professional editor will not only help improve your manuscript, but they should be able to provide guidance for you as a writer to help you improve your writing skills. A great editor will tell you what areas you should be focusing on to improve—things like using the right point of view (POV), avoiding filler words, writing dialogue properly, character development, and more.
I have taught college preparatory English, writing, and grammar, for the last 18 years. My experience as a teacher makes me uniquely qualified to edit works for fluidity of thought and content, accuracy of grammar, and clarity. As a teacher, I have become a master communicator. Paying attention to detail is a requirement in the English field and something I have mastered.
Recently a client asked me to do a sample edit and quote to copyedit his MS, which is a biography of his late grandfather’s career (and exploits) as a senior police officer early last century. When I did a short sample edit (4 pages), I realised there were some pretty major issues with his writing and the structure. So I sent it back with my comments and we discussed doing an MA, which I did. Now he’s working on sections of his MS and then sending them to me (he has poor health so we are doing it in stages). It’s a collaborative effort and we’re enjoying working on it together. If you have a client who is open to working with their editor, their book can become something they are really proud of, and it’s equally satisfying for the editor.
When you start typing in the “Enter skills needed” box, Upwork will automatically suggest skills based on what you’re typing so you can see the skills that are available on the site. You can only select from skills that already exist on the site. For example, if you type in “Book Cover Designer,” you will get an error message. Instead, when you start typing in “Book Cover,” Upwork will pop up with the suggestion for “Book Cover Design”—just click that suggestion or hit enter, and it will appear in the box.
That said, I don’t recommend going to publication, particularly if your book is intended as a revenue-generating venture or as a vehicle of professional promotion, without making sure that someone with an eye for detail has gone through the entire manuscript and ruthlessly noted every typo, every spelling error, every misplaced comma, and every ambiguous sentence.