A site where you can hire editors on a freelance basis. Has a range of prices so there is something to suit most budgets. Be sure to take the usual caution when working with a freelancer. Check out their reputation carefully first and communicate carefully with them in order to determine a schedule, payment expectations, methods of communication etc.
Perhaps there is some misunderstanding of the phrase ‘developmental editing’ used in this article. Given the number of hours necessary to process, dissect, and reconstruct a text of that size, it sounds like anyone who charged that lowly is doing the job for fun and has a spouse to provide for them–all the while devaluing the work of people who do this for a living. It’s really not ethical.
Software and Systems – Some of us writers like using certain types of writing tools or software. I personally love to write my books using Scrivener, and will then switch to Google docs for better tracking systems. However, I've run into editors who only use Word document. That's no bueno for me. So, make sure they are good with whatever writing programs you want to use.
Working with a professional is always the best choice, so if possible, then save up to work with an editor. But of course, some writers can't afford this, in which case there are some other options. You can barter with other writers in the same genre, editing each other's work, or providing other services you might be more skilled at e.g. Marketing tasks.
Funny video! But as a freelance editor, I want to point out that “proving” my skills is only part of the equation. The bigger reason for me to offer a sample edit is to determine if the writing is READY for an edit. Learning to write fiction is a craft. Beginning authors are often better served by attending workshops or joining a critique group to develop their skills BEFORE submitting their work for editing. I simply cannot take on a new client without seeing any of their work.
Hi Kerrie. Thanks for pointing that out. You’re right, there are some good ones on Fiverr. Me personally, I haven’t had good luck with it – actually quite rotten luck with it. However, in a hope to not deter people from Fiverr, but make sure they understand that “anyone” can just sign up to do it, they should be weary of it – but definitely not discard it. So, I’ve made some edits above 😉
It’s difficult to answer this question without first addressing what an editor actually does. Editors can review the content of your writing (characterization, pacing, plot, etc.), which is often referred to as content editing; the form of your writing (the grammar, the punctuation, etc.), which is often referred to as copyediting; or both. (By the way, proofreading is indispensable, but it’s the final step of checking for typos and other glitches once the book is ready for print—any writer who thinks that proofreading is editing is in grave danger of getting ripped off.)
I immediately noticed upgrades to certain passages that had hung me up. There are quite a few spots that I had rewritten over and over again but felt they were just not quite right and you seemed to find them all and make them flow perfectly in no time! I am very excited with the new work that you have placed before me. Again, excellent work and thanks. Looking forward to continuing to work with you!
Amazing post, Dave, and definitely an important topic. My first book I used one of the larger “editorial agencies” you mentioned. The quality wasn’t bad but there was no direct contact with the editor. Just ship it to them and they ship it back. I’ve tried out several editors now and found a very good one who did a great job on my list book. Once you find a good editor, stick with him/her and build a relationship if you can. Thanks for the list provided and this editors test is a great addition.
Start at the top of the copyright page and work your way down. Copyright pages can be formatted differently, but they usually start with the publisher, date, and location of publication. Slowly scan each line to look for an editor’s line listing. The editor (or group of editors) are usually listed in the middle, underneath the publisher’s information, but above the country and printing number.
You also said it’s not fair for self-publishing authors to apply those standards to editors when they don’t work with publishers themselves. It’s one thing for authors to have the right to publish their work and make it available for readers to judge its merits, and quite another for someone to ask those authors to invest in them for their expertise.
Of course, my c.v. does include traditionally published books, but in those cases, I was hired (yes, on a freelance basis, which you would not “count”) by the publisher rather than by the author. The reason my marketing to authors instead emphasizes my experience with self-published and even vanity press authors is because working with a publisher is different from working directly with an author, particularly with an author who has made a conscious choice not to be traditionally published. Some might even say that working within a publishing house provides less preparation for working with self-published authors than does working with other self-published authors. I, however, would not go so far as to say that, because I really do believe we can come to our profession by different paths, just as people can come to writing by different paths.
Karen, when you decide to hire an editor please make sure you’ve done all you could to make your book the best it can be, don’t take shortcuts. Select your editor with care. I suggest you make arrangements to call several editors, interviewing each one carefully. Have your questions written out, don’t wing it or you’ll forget something crucial. After all, you’ll want to click with your future editor, he or she MUST be a good fit. I believe you cannot separate editing from writing. They go hand-in-hand. That means you have to form a writing team (there is no I in team). Frequent communication is a must. Wishing you all the best… Dennis
An extensive critique of my first novel led to major changes in the format. I was very fortunate to have an experienced novel writer to give a detailed analysis, with corrections. I did not fully appreciate, at the time how valuable this process was, but do now. You need to acknowledge that there are likely to be inconsistencies leading up to the final manuscript and be prepared to make drastic changes. An editor is attuned to picking up on these, where you have accepted the script , even after numerous re-writes!
A good editor is invaluable when starting out. Later on it perhaps depends on how complex the story or writing is. Editors can be looking for similarity not originality. The final script a poor representation of the original story or article. An article of mine, which was picked up by Wikipedia for its originality and informative ideas was given forty edits from around the world! It was like a mechanical invention rather than an interesting article in the end!
Our editing services are for authors who want premium book editing for an affordable price. We’ve negotiated special rates with an exclusive network of editors from around the globe. These editors work with traditionally published authors in every genre, including many on the New York Times Best Sellers list. Now, self-published authors have the opportunity to work directly with these topflight book editors.
Another great resource is Reedsy; a platform for finding freelance editors, writers, and all things book related. You can also use the Editorial Freelancers Association to help narrow your search. These websites are fantastic because they vet their members, meaning you will only be viewing the best of the best when it comes to editing. Keep in mind, Reedsy prices will typically be higher than going to an editor directly because the website, rightly so, takes a commission (from both the editor and the author) for finding, vetting, and then managing your contract.
It can take some time to find the right editor, so you may want to start asking around even before you have a text that is ready to send. If you know a fellow author who can recommend someone, that’s wonderful, but if not, it’s fine to poke around the websites of some editors and see who appeals to you (and seems to work within your genre). Then contact them by whatever method they request (often a contact form on their site).