Amazing post, Dave, and definitely an important topic. My first book I used one of the larger “editorial agencies” you mentioned. The quality wasn’t bad but there was no direct contact with the editor. Just ship it to them and they ship it back. I’ve tried out several editors now and found a very good one who did a great job on my list book. Once you find a good editor, stick with him/her and build a relationship if you can. Thanks for the list provided and this editors test is a great addition.
The price you’re going to pay an editor depends on a lot of different factors. You may just want an editor to proofread your book to catch minor errors and typos. Or you may want to work with an editor to help you overhaul your book. Getting familiar with the kind of editing options available will help you choose the right editor. Typical book editing services are:
Fiction writers may want to join a writers group or workshop to benefit from the help of others who have experience with your genre and can help you develop your craft, challenge flaws in your narrative or character development, and help you improve the overall quality of your story. A flawed plot or character is much harder to revise after you finish writing your book, so it’s important to catch such problematic aspects of your book early on.
I immediately noticed upgrades to certain passages that had hung me up. There are quite a few spots that I had rewritten over and over again but felt they were just not quite right and you seemed to find them all and make them flow perfectly in no time! I am very excited with the new work that you have placed before me. Again, excellent work and thanks. Looking forward to continuing to work with you!
This is great advice, Val! Thank you for sharing. I’m a freelance editor as well. I agree with the advice about giving a newbie a shot because I was a newbie freelancer four years ago, with newbie rates because of being a newbie. But I had already been editing for five years in-house and at professional competence level, so my early clients got a bit of a bargain from me!
At first, I didn't want to add Fiverr to this list because there are a LOT of editors on Fiverr that aren't exactly a good investment. But, that doesn't mean there aren't amazing opportunities out there. Editors like Kerrie McLoughlin, have done an amazing job with their Editor Fiver gigs. However, if you do decide to go through Fiverr, then ABSOLUTELY use my test to ensure you aren't hiring someone who isn't qualified.
#1. ACCOUNTABILITY: Anybody can call themselves an editor these days, but even if they have the right skills, it doesn’t mean they’ll do a good job. I’ve heard too many horror stories of editors who ghosted clients or provided shoddy work, leaving writers out of pocket with no recourse for a refund. We have one of the best refund policies in the industry and take personal responsibility for every project, which means – if clients aren’t happy with the work, we’ll do everything in our power to fix it.
Recently a client asked me to do a sample edit and quote to copyedit his MS, which is a biography of his late grandfather’s career (and exploits) as a senior police officer early last century. When I did a short sample edit (4 pages), I realised there were some pretty major issues with his writing and the structure. So I sent it back with my comments and we discussed doing an MA, which I did. Now he’s working on sections of his MS and then sending them to me (he has poor health so we are doing it in stages). It’s a collaborative effort and we’re enjoying working on it together. If you have a client who is open to working with their editor, their book can become something they are really proud of, and it’s equally satisfying for the editor.
OUR EDITORS are confident, calculated, experienced and ruthless. We tend to look for people with at least an MA in Literature and 2 years of full-time book editing experience, but will also give editors a chance if they’ve edited at least 10 books and can provide references from happy clients; or if they’re successful authors themselves who have published several books.
From your comment, you may be in search of a manuscript critique, where you pay a professional to essentially conduct a beta read with the added benefit of their experience and knowledge about the craft. Then they’ll give you a few pages’ worth of considerations. When I don’t have the time for such critiques (and I only critique nonfiction), I refer my clients to andilit.com.
It’s always sensible to follow due diligence in submitting your first draft of your book to an editor by making as fool-proof a copy as possible for you because first, it is your own creation, and secondly, a horrid draft sent your editor can end up frustrating both you and him or her. Make your own corrections to the extent you can, so that will make the job of your editor that much lighter and the end result would be a lot more effective.