I am not without sympathy when some new authors get “sticker shock” upon hearing an estimate for my editorial services, and I am actually relatively affordable. (Most reasonably well-written novels would not cost even close to $3000 for me to edit, let alone $5000.) I also offer generous installment plans and discounts for bundled services. But there is a limit to how low I can go.
Thank you, Blake. I am past the point of undercooked. I’ve had beta readers, I’ve rewritten dozens of times, had an editor look over my MS twice, and believe I’m ready to take that leap. Unfortunately, and this wasn’t mentioned, most writers will never be satisfied with their work ‘as is’. I tinker and add. It’s difficult to find the balance between making it better, and messing with the core integrity. Even JK Rowlings is known to do this in her head when she’s reading one of her novels in front of an audience. This fear has held me back for years, despite my three years experience as a freelance writer for a local magazine. I’m scared I’ll miss a comma and it’ll be thrown in the slush pile.
In addition to the individual editors listed above, the Reedsy marketplace is full of vetted professional editors for every editing level and genre. They screen their editors and only allow the best of the best to be listed on their website. I'm a BIG fan of them because they have made the process easy for me to find the best book editors, book cover designers, and even writers to help me with my projects. Talk about awesome!
I’m not sure why you said “ha” after Fiverr. I’ve been a proofreader (more like a line editor/copy editor, really) for 3.5 years and have worked on many book projects there and outside of Fiverr. (writerkerrie) … Yes, some editors on there are crap and I agree, but many of us ROCK! I only charge $5 for 1,500 words of text (I only receive $4) because I LOVE WHAT I DO and I love working from home and being able to homeschool my kids. I am also an author myself and want to help other authors by not overcharging them. I have received MANY book projects from authors who paid the rates you describe above and I ended up finding DOZENS more mistakes and GLARING errors that for $70/hour … well, they should have been caught. Please don’t write off Fiverr. Some of us care about what we do and we do it well and you can tell from my almost-1,600 great reviews that this is true. Don’t hire someone if their gig is written poorly and they barely have any reviews!
It’s time to choose your children’s book editor! Go with your gut here. You have already learned how to find a qualified children’s book editor, and narrowed down your choices using the tips in this article. The last step is to choose the editor that seems to have the best grasp of your personal needs. At this point, feel confident in making choosing your editor. You’re ready to move onto the next step of realizing your dreams and finishing your children’s book.
The job board is NOT a big reason to join the Den, especially if you’re a new writer. It’s a higher-end board that doesn’t post any low-priced gigs, and is a good resource for mid-career writers. But in general, the board is a real sidelight to the point of joining the Den, which is to access 300 hours of training+, 24/7 forums for support, live events where you can ask questions of experts, and more.
A copy editor or line editor focuses on improving sentences and grammar, as well as suggesting other ways of rephrasing ideas, and providing comment on anything else they pick up. Non-fiction books often use multiple styles, for example, chapter headings, sub-headings, action points, bullet points, call-outs and examples, so these will be examined at this phase.
Of course, my c.v. does include traditionally published books, but in those cases, I was hired (yes, on a freelance basis, which you would not “count”) by the publisher rather than by the author. The reason my marketing to authors instead emphasizes my experience with self-published and even vanity press authors is because working with a publisher is different from working directly with an author, particularly with an author who has made a conscious choice not to be traditionally published. Some might even say that working within a publishing house provides less preparation for working with self-published authors than does working with other self-published authors. I, however, would not go so far as to say that, because I really do believe we can come to our profession by different paths, just as people can come to writing by different paths.
Thanks Sangeeta! I’m glad you enjoy the videos! (New episode, with 3 weird tips on self-editing, here: https://www.youtube.com/watch?v=3mmLEuH9x28) Book doctors are such an interesting phenomenon… As are ghost writers, come to think of it. On one hand, self-publishing gives an indie author a chance to share his or her vision with little to no outside interference, but on the other, we’re seeing more and more books written “by committee!” What’s tricky is finding the right balance, which is why the search for the right editor matters so much. Cheers, Teymour For 3 weird self-editing tips, check out my new episode:… Read more »
A professional editor will not only help improve your manuscript, but they should be able to provide guidance for you as a writer to help you improve your writing skills. A great editor will tell you what areas you should be focusing on to improve—things like using the right point of view (POV), avoiding filler words, writing dialogue properly, character development, and more.
Every author must decide what is important to him or her in an editor, but in these days of electronic communication, honestly I do not think it is important to seek a local editor unless your book is specifically related to something of local interest. Even in that case, you may benefit from the perspective of someone who does not have all the local knowledge it can be easy to presume, so that you can prepare your book for a wider audience.