OUR EDITORS are confident, calculated, experienced and ruthless. We tend to look for people with at least an MA in Literature and 2 years of full-time book editing experience, but will also give editors a chance if they’ve edited at least 10 books and can provide references from happy clients; or if they’re successful authors themselves who have published several books.
Thank you for this most timely article. I’m a newbie writer that is writing a history book on a small WWII town. It is a little unique in that it will have many newspaper clippings and historic construction photos. The narrative will only be there as a clarification to these items. I want to be sure that this narrative is smooth flowing and comprehensive. I’m not certain to what degree editing will be involved. You article certainly helped bring to light things I should consider.
Every author needs it, yet self-editing a book is nearly impossible. Even bestselling authors would never dream of attempting it. Hiring an experienced book editor is often the best investment you can make for your book, and your writing career. Book editors do more than make sure your I’s are dotted and T’s are crossed. They ensure your writing is fluid and poignant. Trusting BookBaby with your manuscript might seem like a big commitment, but so is making a book. The best way to make sure your writing is perfectly polished before it’s in print is to invest in editing services from a brand you can trust.

I held the role of blogger and web content writer for a multimedia entertainment company before transitioning to freelance work. I have assisted many clients on projects ranging from product descriptions, to blog articles, to content editing. My areas of expertise are in science, fashion, travel, and yoga. I have also edited over 50 eBooks and can provide professional book descriptions.


Next, I check their work history to see what kind of projects they have been working on. For example, if I’m hiring an editor and I see that 8 out of their last 10 projects had nothing to do with editing, I will probably pass because it means they either don’t enjoy editing work or they aren’t able to find enough of it on Upwork, which should not be a problem for a highly skilled editor.
Send a letter or email to the author of a text and ask them. If a book is self-published or printed by a smaller press, finding the editor can be tricky. The author of a book will be sure to know who edited their work though! Perform an internet search and look for an author’s website or personal information. Most author websites have a contact tab with information on where to send a letter or email.[7]
After writing some of the book or a first draft of a book, some authors decide that they need more than an editor; they need a writer to take their writing to the next level, in order to get published or reach the level of sales they aim for.  I can refer aspiring authors to excellent, experienced co-writers, book doctors and ghostwriters, some of whom have worked on New York Times Bestsellers and other award-winning books. Find out more about ghostwriting services.
Anyone wishing to pay someone 500 bucks to read their book just so they can be given a short and unhelpful overview is arguably getting what they paid for. Naturally, self publishers and the like can’t really justify the amount they’d have to spend on a real editor of story structure, but it still baffles me that these so called developmental editors exist. That is, unless they have a follow up service after the fact that is actually worth it.
I’m a first time writer. Today I’m about 60% done with a “novel” (a thinly disguised autobiographical account of finding romance and starting a family during the Viet Nam war). I believe that hiring a developmental editor at this time would help me complete the work in a better ‘voice’, ultimately saving time and money. The alternative would be to finish the work as this column advises before submitting for edit.
Perhaps there is some misunderstanding of the phrase ‘developmental editing’ used in this article. Given the number of hours necessary to process, dissect, and reconstruct a text of that size, it sounds like anyone who charged that lowly is doing the job for fun and has a spouse to provide for them–all the while devaluing the work of people who do this for a living. It’s really not ethical.
The result will be a very clean and much improved manuscript, but with lots of comments and suggestions, which will probably require some rewriting and extra work on your part. Getting back a heavily edited manuscript like this can be challenging, but know that it will drastically improve your writing skills and help you identify your weaknesses. During the revision process, it’s possible to create new consistency issues, which is why we recommend a final proofread or at least some beta-readers to help finalize your manuscript.
A place you can post your job and hire freelance editors. With nearly 60,000 editors on the site, however, it can be a daunting project to find the right editor. To narrow down the candidates, you could make a detailed project description with required skills, language competency, and portfolio requirements. This should help eliminate unqualified editors. You can also include a random requirement like “Respond with ‘Hey, Jedi!’” in to find those detail-oriented editors who actually read your entire post and follow directions.
Wonderful article! The difference between the types of editors can’t be emphasized enough, escpecially when it comes to price. I’ve seen too many new authors seek out a copywriter when they need a content editor. (Most bad reviews that say “they really need an editor!” reflect that.) This is a relationship and you need to be able to work with the person. If you disagree with all of their suggestions, or they can’t see your perspective, then the edit is worthless. Writers also need to be aware of the difference between an edit that’s going to help the story and… Read more »
I am not without sympathy when some new authors get “sticker shock” upon hearing an estimate for my editorial services, and I am actually relatively affordable. (Most reasonably well-written novels would not cost even close to $3000 for me to edit, let alone $5000.) I also offer generous installment plans and discounts for bundled services. But there is a limit to how low I can go.
You draw distinctions that use idiosyncratic definitions of some fairly standard terms. For example, Chicago defines the terms “manuscript editing,” “line editing,” and “copyediting” as synonymous with each other, and none of them as synonymous with “mechanical editing,” although that is one element of them. Certainly, I agree that an author has a right to expect more than merely mechanical editing unless that is specifically what they have requested. However, I cannot agree that the only route into competent and appropriate freelance editing is internal employment within a publishing house, and that the only clients who should be counted as a relevant part of a freelance editor’s curriculum vitae are those who are traditionally published.
Hiring a grant writer can give you a competitive edge when applying for financial grants for your business or nonprofit organization, or as an individual. The cost to hire a grant writer can vary depending on their academic background, areas of expertise, previous grant writing success and years of experience. According to the Grant Professionals Association, grant writers should be paid hourly or by flat fee. It is unethical for a grant writer to accept a commission or percentage compensation of grant monies received. They can, however, be awarded bonuses in line with the hiring company’s prevailing practices. Here are some examples of average grant writing fees:

I’m sorry you feel that way about my participation in the discussion and defending editors of similar background to myself from what I considered unwarranted disparagement. Perhaps the only approach that would have 100% proof against accusations of “trolling” would have been to allow the claims to stand unchallenged, but that did not seem fair to people who come here to get useful information.
In fact, Pressfield writes, “Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That’s why we feel so much Resistance. If it meant nothing to us, there’d be no Resistance.”
×