I couldn't find the right designer for my book, Hola, Morocha! And after a big disappointment, and having to lose money on a design I couldn’t use and didn’t want, I was feeling so hopeless. Then I stumbled upon Ebook Launch. Their portfolio drew me in, but it was the unlimited changes, complete rights ownership, unlimited royalty free images and textures, and money back guarantee that sealed the deal for me. I needed that no risk factor after what I went through previously. Ebook Launch delivered way beyond my expectation. I have the cover of my dreams and will work with them again for all the covers in my series!
From your comment, you may be in search of a manuscript critique, where you pay a professional to essentially conduct a beta read with the added benefit of their experience and knowledge about the craft. Then they’ll give you a few pages’ worth of considerations. When I don’t have the time for such critiques (and I only critique nonfiction), I refer my clients to andilit.com.
I used Ebook Launch to format my first book, a novella entitled His or Her Betrayal for both ebook and print, and I was happy with my results. They are very professional and get the work done in the amount of time that they tell you. I just submitted my second book Love, Lies and Heartbreak, which is a collection of short-stories for them to format for print and ebook as well. I'm sure I won't be disappointed in their work. They are my permanent source for formatting my books. Thanks so much for your great work guys!!
I’m a first time writer. Today I’m about 60% done with a “novel” (a thinly disguised autobiographical account of finding romance and starting a family during the Viet Nam war). I believe that hiring a developmental editor at this time would help me complete the work in a better ‘voice’, ultimately saving time and money. The alternative would be to finish the work as this column advises before submitting for edit.
Every author needs it, yet self-editing a book is nearly impossible. Even bestselling authors would never dream of attempting it. Hiring an experienced book editor is often the best investment you can make for your book, and your writing career. Book editors do more than make sure your I’s are dotted and T’s are crossed. They ensure your writing is fluid and poignant. Trusting BookBaby with your manuscript might seem like a big commitment, but so is making a book. The best way to make sure your writing is perfectly polished before it’s in print is to invest in editing services from a brand you can trust.
There are different levels of editing—developmental, copyediting, and proofreading. I’ve found that authors are often willing to pay good money for a developmental editor, someone who walks by their side and helps to shape the book, but when it comes to copyediting and proofreading, especially if and when an author has had a developmental editor, suspicion arises as to the value or merit of these more drilled-down types of edits. Don’t let this be a blind spot; they’re important—on par with a developmental edit for sure.
When you’ve found someone who seems like a decent candidate so far, make first contact. (The contact form on the website is fine as a first step.) Introduce yourself and state what you are looking for (a developmental critique, copyediting, etc.). Give a very brief description of your project, including its genre and approximate length. Give an idea of your planned next step and any deadlines (even if only approximate ones). For example, have you already signed a contract with a subsidy press for publication next fall? Are you planning to submit the manuscript to publishers and/or literary agents after editing?
Inspect the spine of the book and look for a smaller name under the author. Turn the book over and look at the spine—the thin side of the book where the pages are bound to the cover. If there are multiple names on the spine of the book, they are always ordered with the author’s name first, and the editor’s name after it. On most books, the editor’s name will be smaller so that a passerby can quickly tell who the author is.
As a freelance editor, I would like to express my strong disagreement with the idea that a freelance editor must work as an employee of a publisher for three years to be any good. In my field, spirituality, many publishers have gone to having most editorial tasks beyond acquisitions performed by freelancers, so the in-house positions being held out here as a prerequisite for freelancing simply don’t exist; many editors must cut our teeth as freelancers. It also occurs to me that self-published authors usually bristle at the idea that they are not “real” authors unless their work is accepted by a commercial publishing house. Is it fair to apply this standard to the people they propose to employ as editors?
The book provides further support for the importance of government-sponsored R&D by documenting numerous historical facts that demonstrate how government investments created the modern world and fueled the prosperity the world has witnessed over the past 200 years. The book also explains the origin of major technology revolutions over human history in a very accessible way. It ends with an investment strategy and a plan on how our nation can continue its prosperity for future generations.
In return for the sacrifices you must make in order to self-publish, you will gain total control over the project. In addition, any profits from sales of the book will be yours (not just a royalty percentage as with either a traditional publisher or a vanity press), and in some cases it may be the only way of getting your book into the hands of readers. However, there is no getting around the requirement to get the tasks done one way or another.
This is basically like the “Quick Kill” service – or proofreading on steroids, and again we’ll hack, slash, rewrite, fix, tweak and improve anything we can, but this time we won’t comment on the bigger picture, and we’ll really hone down on the little details, eliminate repetition, trim the writing, and make sure everything is as good as it can be.
A very helpful article, thanks! I’ve been trialing editors for my current romance WIP, including industry stalwarts from The Big Four, to freelancers and hobbyists, *budget* options and the gurus who cost a pretty penny. From 9 to 5 I’m an editor myself, so it’s been great experiencing the process from a writer’s perspective. I’ve documented some tips below on what to look for in an editor (and what should send you running) , which you might find interesting.
I usually ask for a 10-20 page sample – one page is a bit scant for a really accurate estimate. I’ll do an editing sample, too, but how long I’m willing to make it depends on the proposed length of the piece I’ll be editing. As for the “hidden message” strategy, if I saw something like that, I’d suspect the prospective client was fearful and suspicious and I’d probably run the other way. I willingly provide testimonials, references, and links to published work, so tricks aren’t necessary. It’s important to me to build a professional relationship of mutual trust with my clients, backed up, of course, by a contract that protects us both. I don’t think I’d like to work with a client who plays “gotcha!” Lots of good suggestions in this article, though.
I got in touch with Ebook Launch lately to sort out a cover for my second book, and I cannot recommend them enough. The process was quick and easy, and the effort put into capturing the mood of my story was apparent from the first sketch. Their service was friendly and accommodating, and they were open to making or reverting changes to my covers without any trouble. I appreciate the hard work they put in on my behalf, and wholly recommend their services.
Hey there! In my experience (as a freelance developmental fiction editor with friends in the same profession), developmental is actually the cheapest option–I think you may have made a decimal point error 🙂 The going rate in my corner of the edit-verse is around $0.008/word, not $0.08, which means a 70,000-word edit will be $560 or so. It’s possible this is different across genres, though! Just wanted to drop a note so any aspiring budget-minded fiction writers out there can take heart .
As for multitasking, believe it or not, I try to schedule so that I am only working actively on one book at a time. Research keeps showing that “multitasking” is actually less efficient, because of the time lost to leaving behind one task to restart another. (Think of it this way: If you take on two clients at once for work that would take one week each with your full attention, either you can tell both clients the work will be done in three weeks because you’ll be alternating between them, or tell one client it will be done in one week and one that it will be done in two weeks, because you’ll complete one before you start on the other. Which of those makes more sense?) Obviously, with back-and-forth communications, sometimes complete “monotasking” is impossible, but I think it should be considered the ideal.
Just launched my new novel "Who is Waldo Wiggins?" this past weekend and the response has been great. Ebook Launch did all the cover art (front and back) for the paperback and ebook, and they knocked it out of the park. The first thing people mention is the cover art and the great job that was done on it. Personally, I couldn't be happier. The end result was beyond my expectations.
Your last point is actually raising my eyebrow in the sense that no one ever wants to make a newbies his/her editor.But the newbies can actually have some creative editing style which the experienced one still havent gotten..A case study is the people who work in the government house or secretariat, the same way in which they draft a letter in the 90’s is still the same way they are still giving it now.But giving newbies a chance to explore their creativity can bring about great and effectual changes..
I was referred to Ebooklaunch by another author friend, after searching for the perfect cover and layout artist. I was about to give up, but once we emailed back and forth and I gave them the concept of what I had in mind, I thought I had nothing to lose. I was astounded by the design, for: Case of the Mouse Trap Legend. I was absolutely blown away - it far exceeded my expectations. I couldn't be more thrilled and will return in the future for more covers. Thank you very much!
Rates – Most online book editors are freelance editors, which means they set their own rates. Editors may charge per word, hour, or project. Editing is a valuable investment in your book as a good editor can turn your story from meh to amazing! But the highest rates don’t necessarily mean the best editor, and the lowest rates could be wasted money. Definitely take rates into consideration, but don’t select an editor solely on price.
Stephen, you’re right, and I think much of the confusion about editing and its pricing stems from the fact that editors offer a range of services (in addition to a range of experience). It might be best to view editing on a spectrum from broad (developmental) to detailed (copyediting and proofreading). And it’s always best to have as clear an idea as you can about the kind of editing you believe you need.
I cannot speak for all editors, of course, but I know I and many of us would be open to editing just part of your book at first, say, a particular chapter or two that you sense needs a lot of work. That is often enough to show you mechanical errors that you tend to make repeatedly. You can then go through the entire manuscript yourself looking for as many of the same kind of errors as possible. You will sharpen your basic writing skills in the process, and it will pay off in all future projects.