A good editor is worth their weight in gold. Myself, I’m a frugal person, so I do my own ferocious self editing. I once belonged to a writers group, and the material the members submitted for critique made me cringe. Their story ideas were good, but were full of unnecessary adjectives, numerous misspelled words, run on sentences, and they had their characters grunting, snorting, huffing and puffing. I would spend time editing and when I gave back the material, the people were offended. I figured these people were looking for praise and not the truth.
Reedsy isn’t a company providing book editing services; we are a marketplace of top-notch editors. We’re not going to assign you an editor you don’t know, nor fix a price with you. We give you choice, flexibility, and access to the best editorial talent out there. Every single freelance editor on the Reedsy marketplace has been carefully selected. They all have extensive experience and ample portfolios. When you browse through the professional book editors on Reedsy, you can refine your search by type of editing and genre. You can then approach several editors at the same time with a project brief and sample of your book. There are no set fees and each editor can offer you an individual quote. This means you will receive a range of quotes and responses to your brief, allowing you to choose the best editor for your book.
After researching a lot of different designers, I went with Ebook Launch for my debut novel because there wasn't a single cover in their portfolio I didn't like. I didn't know exactly what I wanted, but I knew what I liked and what I didn't like, and they took my mishmash of half-formed ideas and turned it into a beautiful, eye-catching, genre-appropriate design! Not only that, but they were speedy, responsive, and accessible. A real pleasure to work with. I will definitely be coming back to them for the rest of the covers in the series.
It’s difficult to answer this question without first addressing what an editor actually does. Editors can review the content of your writing (characterization, pacing, plot, etc.), which is often referred to as content editing; the form of your writing (the grammar, the punctuation, etc.), which is often referred to as copyediting; or both. (By the way, proofreading is indispensable, but it’s the final step of checking for typos and other glitches once the book is ready for print—any writer who thinks that proofreading is editing is in grave danger of getting ripped off.)
I hope this helps! Please don’t be discouraged by editor’s rates. Many of them do this full time or to supplement their other income with their business. The quality of service is not necessarily tied to project cost, but hiring anyone who is a contractor or freelancer often means you’re getting one-on-one personalized attention you might not get if you worked with, say, just the editor of a publisher who could see your book as a quota to fill. Just my two cents!
Copy editors catch spelling mistakes, errors in grammar, and inconsistencies in your text. They know when compound words are hyphenated (or not), whether the book is ‘laying’ or ‘lying’ on the table, and whether eagles have ‘talons’ or ‘claws.’ They’ll go through your manuscript line by line for accuracy and consistency of style. A good copy editor will make sure that your voice remains intact while restructuring sentences, and substituting weak word choices for stronger ones.
We may be talking about different services. I’m referring to a full read that usually creates a 5-10 page edit letter–no in-line editing. Or, perhaps we’re just working in different corners of the market. I’m around those who are freelance editing pre-query for writers hoping to traditionally publish their genre fiction, not the kind of rigorous editing a self publishing author would need, which should rightfully be much more expensive! It’s true that most people doing freelance editing at the lower rate/rigor aren’t doing it full time. It’s an optional step for those traditionally publishing, and the prices reflect maintaining access for those writers, I believe.
The job board is NOT a big reason to join the Den, especially if you’re a new writer. It’s a higher-end board that doesn’t post any low-priced gigs, and is a good resource for mid-career writers. But in general, the board is a real sidelight to the point of joining the Den, which is to access 300 hours of training+, 24/7 forums for support, live events where you can ask questions of experts, and more.
Blake, that’s wonderful info. Thank you. I completely understand the response about guaranteeing the work. That was just something that popped in my head as I read a book written by a screenplay consultant I hired years ago and he wanted a review so I read it to help him out but found maybe 5 or 6 error’s myself in the 200 page book. I felt like it was unprofessional but didn’t have the heart to tell him. But the errors stuck out like a sore thumb so I was curious if that is normal or not.